This website was archived on July 21, 2019. It is frozen in time on that date.

Sonya Mann's active website is Sonya, Supposedly.

Computing for Fun, Profit, & Mayhem

Internet Riot Police by Surian Soosay.
Internet Riot Police by Surian Soosay.

Brian Krebs, an investigative reporter who covers cybercrime, made this comment in his Reddit AMA last month:

“Whether we’re talking about security or some other beat, the most interesting stories are those that are essentially stories about people — who they are, their experiences, and their weaknesses and failings, etc. Most failures in cybersecurity are not failures in the technology, per se, but in the way the tech is implemented or not. […] Sure, there are software and hardware vulnerabilities, but from my perspective the vast majority of data breaches succeed because they exploit the person behind the keyboard, as well as organizational lethargy, disorder, neglect or incompetence.”

Yesss. I wrote a while ago that “Tech Is Only Awful Like People Are Awful”, and a related hypothesis is that tech is only interesting like people are interesting. Some readers and consumers love gadgetry for the sake of it, but I’m definitely more intrigued by the socioeconomic and/or sociopolitical machinations behind the scenes.

Stories about how humans make, use, and misuse computers are really just stories about how humans stumble through the world, bashing into every obstacle we possibly can.

Communicational Pliancy

Men of the community of Pie Town, New Mexico eating at the barbeque (LOC)
1940 or thereabouts in Pie Town, New Mexico. Yes, Pie Town! Photo via the Library of Congress.

Today I had a conversation with someone to clear up a mild disagreement. The disagreement was only mild because we’re reasonable people — if either of us had handled things differently it could have been a friendship-ending incident. As it was, we reassessed each other’s communication expectations and figured out how to go forward. One way of framing this is that we informally negotiated a code of conduct to apply to the two of us.

This made me reflect on how useful it is to iterate my social techniques in response to feedback (whether explicit or implicit). What I mean is tweaking my attitude and approach depending on what works best in a given situation. People do this automatically to some extent, and it sounds banal when spelled out. But for me the practice of intentionally maintaining social flexibility has been a surprisingly radical change in how I deal with other human beings.

It’s more productive to meet people halfway as opposed to expecting them to accommodate you entirely. I wouldn’t say this is easy — I am a stubborn person and I have to be wary of the urge to dig in my heels — but so far I’ve found communicational pliancy to be worth the effort.

“If we want to understand what’s on the mind of another, the best our mortal senses can do may be to rely on our ears more than our inferences.” — Mindwise by Nicholas Epley


I cross-posted this on Facebook and two friends offered astute comments. Emily Peterson:

“But what about a situation in which you’re asking for something you think is reasonable, and the other party is asking for something you think is unreasonable? In such a case, both parties meeting halfway results in the generic You feeling cheated [sic]. Does this only work when people’s expectations of one another are already in synch?”

Loretta Carr:

“Sometimes my truth and another’s truth don’t coincide; they’re not even close. When I don’t trust that person’s words or actions, I can’t work with him/her. Toxic situation for me. Gotta move on.”

Fair enough. It definitely depends on the situation.

Exceptions Disprove Rules

computer error exception
Image by valentin.d.

I have never understood the notion that “the exception proves the rule”. The exception proves that the rule is wrong! Or at least that the rule relies on parameters not previously discussed. The exception does the exact opposite of proving the rule.

For example, you could say that Apple is the exception that proves the rule that B2B companies are more valuable than consumer-oriented ones. This is nonsense. B2B companies are more valuable — except in the case where a company peddles a beloved, must-have global product with high margins and luxury branding.

That’s my quick Saturday thought.

Meditations On Misery (And Its Opposite)

dark golden abstract art
Artwork by Dalma Szalontay.

“Misery is a stronger emotion than happiness, and catastrophes punctured their minds and reshaped their sense of their lives in a way that ordinary contentment did not.” So writes Larissa MacFarquhar regarding a couple who adopted twenty children, ending up with twenty-two kids total (before the deaths, that is).

skate trick and onlooking bikers
Photograph by Guilherme Nicholas.

Personally, my planned route to motherhood is adoption, but twenty seems excessive. Regardless, I wonder: Is it true? Is pain more potent than joy? Is it really so easy to disregard “ordinary contentment” and focus on the half-empty glass?

hot pink glitz portrait
Radioactive Talent by Naomi.

My own experience yields a complex answer. When I’m unhappy, it’s all I can think about. On the other hand, when I’m happy I can only vaguely conceive of being miserable. During periods of cheer and energy, it’s easy to remember that the profound sadness happened once. Sure, I can pull up the words to describe the feeling — typical cliches: numb, exhausted, wallowing in despair, etc. However, knowing what to say about depression is different from being mired in it.

Akseli Gallen-Kallela, Lemminkäinen's Mother, 1897
Lemminkäinen’s Mother by Akseli Gallen-Kallela, 1897; via Adam Ansar.

MacFarquhar’s article about the astonishingly large family addresses grief, a type of misery with which I’m less familiar. I’ve known a few people who died — one grandmother, one grandfather, and two grade-school classmates’ mothers. Maybe when someone integral to your daily happiness dies, it shatters everything quickly the way depression shatters everything in slow-motion.

Chunga I (1969) - Rolando de Sá Nogueira (1921 - 2002)
Painting by Rolando de Sá Nogueira, 1969; via Pedro Ribeiro Simões.

Unhappiness can inspire a person to obscure their emotions, to pile distractions on top. For example, in an interview on The Billfold, author Sarah Hepola told Ester Bloom, “Booze is a pain management system, and when you remove the anesthesia, you really see the source of your misery.” It’s underneath a bunch of mood-moderation junk.

I wouldn’t say that unhappiness is “stronger” than its counterpart. But it’s plausible that bad feelings trump good ones when both are theoretically present. That makes evolutionary sense, right? You might have to take action based on pain, so it needs to be top-of-mind. On the other hand, contentment frees you to think about other things.

"Allow children to be happy in their own way, for what better way will they find?" ~ Samuel Johnson
Photograph by Vinoth Chandar.

Pretty Stereotypes Of City Women

Excessive lyricism lies ahead. Sometimes I can’t resist over-writing.


I love cities, but I don’t want to live in one. Every time I visit San Francisco it smells more like piss, you know? For me, home is a mid-size town, a suburb on a hill. But of course I’m grateful to be able to access urban cultural nodes, to watch live theater and buy pricey drinks, to browse bookstores and pretend the panhandlers aren’t talking to me. Momentary immersion is exciting. High-profile cities are glamorous despite all the grime — the word “cosmopolitan” accrued its connotations honestly.

girl fixing her motorcycle
Photo by Mike Babiarz: “My downstairs neighbor Marni doing some maintenance on her Yamaha XS650.”

City women are easy for me to idolize. Do people find the opposite of their own attributes attractive, or is that just me? I’m drawn to sophistication, to convincingly affected indifference. What’s more enchanting than the ability to stroll past mounds of trash without paying attention?

city woman walking past garbage in NYC
Photo of NYC’s Greenwich Village by Ryan Vaarsi: “There is not, despite appearances, a garbage strike underway at the moment.”

I’m not a city woman. I could never be a city woman. I care too much about how I’m perceived, and the temperament for regular cocktail parties has never been my strong suit.

Yes, realistically, my two-dimensional idea of a city woman doesn’t exist, but let’s roll with it.

Nicole Kidman as Marisa Coulter in the movie version of The Golden Compass.
Nicole Kidman as Marisa Coulter in the movie version of The Golden Compass.

I think of Mrs Coulter from Philip Pullman’s His Dark Materials trilogy. Vaguely evil under the tight dress and well-cut wool coat. (In Mrs Coulter’s case, extremely evil.) A tool of power who nevertheless wields it, a woman among men who relishes her feminine influence because the alternative is recognizing their masculine advantage.

I realized while writing this that all of my notions about femininity are particular facets of an inferiority complex dressed up by certain aesthetics. The observation is not new. Besides, I have the same reaction to, like, indie music. I’m such a born hipster but I feel mad defensive about it. (A reaction that became classically hipster immediately after the phenomenon achieved meme status.)

I want to be aloof and reserved and brash and sassy and especially never self-conscious. I want to have Marie Antoinette’s cake and eat it too. Okay, fine, I want to be Blair from Gossip Girl, even though she’s excruciatingly self-conscious.

I am continually trying to parse femininity, to practice ladyhood, and stumbling on contradictions. Being human is weird. (QED.)

cosmopolitan fashion collage
Collage by Joana Coccarelli.
graffiti woman, red lipstick
Photo by Sarah Murray.

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