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Aggregating The Aggregation Aggravation

Nate Silver of FiveThirtyEight dinged Vox for stealing content. Basically, the beef is that Vox reposts infographics from other websites, adding insult to injury by not linking back. Cue media kerfuffle on Twitter (my favorite regular internet occurrence). Ezra Klein, the ego behind Vox, responded with an imitation of an apology called “How Vox aggregates”. Twitchy rounded up some entertaining tweets, but didn’t include all of the best ones, possibly because they hadn’t been posted yet. Here are my favorites, starting with a pun from Jay Rosen:

Jay Rosen aggregation pun
Tweet by Jay Rosen.
Comment by Rusty Foster.
Tweet by Rusty Foster. Hat tip for the title of this post.
let he who is without aggregation throw the first monetized stone
Tweet by Joshua Benton.

Adam Schweigert chimed in, “If you aggregate by posting things without attribution, it’s not on the person you stole from to complain, it’s on you to not be an asshole.” True. Schweigert also accused Vox of aggregating by “taking screenshots and not giving credit.”

if a great deal of your publishing involves aggregating other work and you forget to link back, that's a failure in your editing process
Tweet by Dan Sinker.

In response to Sinker, Brian Boyer said, “Fuck links back. Let’s talk about copyright.” That whole thread is interesting in its discussion of intellectual property and fair use, concepts that the internet has shaken up considerably. But hey, let’s get back to the jokes!

i'm launching a new media company that only publishes apologies for fucking up. i'm gonna be RICH
Tweet by Jessica Roy.

Roy followed up with, “we also delete the apologies and then apologize for deleting them”. (This was a reference to the BuzzFeed nonsense: 1, 2, 3, 4.) Anil Dash claimed that his publication had already “disrupted” her proposed business with a list of ridiculous apologies, to which Roy responded, “my company will aggregate this apology”. Near the end Dash quipped, “We were hacked! And our intern did it. Our intern has been fired, and our next hacking is scheduled for Thursday.”

Explaining Journo Twitter in-jokes is difficult, and everything is less funny out of the stream. Hmm. ONWARD!

i want to just post that entire post copy pasted onto my blog
Tweet by Ed Zitron.

I was extremely tempted to go ahead and enact Zitron’s threat. But I settled for what I’m currently doing. [Update: I copy-pasted Klein’s post on Medium.]

Matt Boggie: “The strawmanning and equivocation in [Vox’s post] is astounding. Apologize, pledge to do better, and get on with it.”

Felix Salmon and others on the need to contribute something substantive.

Alan McLean: “It’s worth asking yourself why everyone else creating [graphics] thinks you’re stealing, but you don’t…”

Adam Steinbaugh, satirizing Vox: “An explainer on how those charts ended up on our website: it saves money.”

Derek Mead: “Pretty impressive when your defense of aggregation is ‘we totally like it when people share our videos!'”

That’s all the Twitter I combed through. Stay tuned for slightly longer #HotTakes.

UPDATE: Tom Gara being snarky:

Sure, Vox may have lifted a couple of 538 charts. But the good news is this means at least two and maybe even three people have read 538.
Tweet by Tom Gara.

And this comment on Politico that made me snort:

“Well, what do you expect from those who bring you the spectacular irony of a publication that is named with the Latin word for ‘voice,’ but doesn’t allow comments?”

Facebook Can’t Excel At News Design Because…

1 Like Thumb War
Image by Surian Soosay.

The Society for News Design crowned Facebook “World’s Best-Designed Digital”, although without specifying digital what. Presumably “digital experience” is what they were going for. Here’s some malarkey from the announcement page, on how to qualify as “World’s Best-Designed Digital”:

“You must be thoughtful and meaningful, but fast. You must be clear, engaging and engaged. You must be available anywhere and everywhere. Now, more than ever, your audience is in control.

From desktop to mobile to app, this year’s winner works. […] It provides a richer news experience than any one ‘site.’ It is redefining ‘community,’ by evolving our relationships with the news and each other. […] It is the platform that you love, or hate, or love to hate. But increasingly cannot live without. This would not be possible without world class design.

This year’s winner is Facebook.”

SND’s choice is particularly interesting because Facebook’s mobile website and app are both garbage, meaning the judges’ concept of “design” must be quite… expansive. If they were examining beauty and ease-of-use, Evan Williams’ website Medium would have won. (Or, you know, an actual news site. I mention Medium because it was a contender.) Apparently aesthetics and UX were not high-rated factors:

Audience — Scope of organization: To be World’s Best, recirculation strategy has to be excellent as well Mobile web / responsive vs app —  It has to work well across devices and breakpoints, unless strategy is to treat devices separately. Apps are strictly judged on the app experience Performance — Speed, easy to use / intuitive The content — Relevant to you, easy-to-find presentation. Elegant, clean, intuitive Community — A safe place that fosters conversations Portability —  Of content, or elements of the site or experience, atomic

Presumably Facebook won because they have billions of users.

Twitter commentary from the #OmgMedia crowd was wry and pithily outraged:

Comment by Andrew Losowsky.
Comment by Andrew Losowsky.
Comment by Dan Sinker.
Comment by Dan Sinker.
miscellaneous outrage
Comments by Dave Stanton, Scott Klein, and Losowsky again.

The best reactions emerged on Facebook itself. SND posted that their announcement “was met with tepid applause” and asked, “Do you agree with the decision?” The response was, basically, “No.” Sue Apfelbaum said it very well:

“All the nominees might provide news and community, but to liken the New Yorker to Twitter, or NPR to Facebook, is hardly a fair comparison. Imagine we were talking about food and not this stuff we’re just lumping together and calling content—Andrew Losowsky and I were riffing on this analogy.

What this award does, essentially, is compare fine dining with someone who hosts an excellent potluck. It could be an amazing potluck, where all your favorite people are, and everything you need to serve your dishes is provided for you, and the ambiance is just right for socializing, but it’s still up to those guests to provide the feast.

On the other hand, fine restaurants source their ingredients, produce menus to nourish and please customers (in these cases 24/7), staff their establishments with chefs, food preparers, and servers, and create an atmosphere as welcoming to the first-time diner as their regulars. Would you really put these establishments in the same category?”

[I edited the quote for readability; see the original on FB.] A+ analogy; Apfelbaum has it right. We don’t even need to talk about Facebook’s bad design. The crux of the matter is that Facebook is a coincidental conduit between journalists and audience, not an entity that creates and sustains those relationships on purpose. Facebook is a news middleman, not a creator or a consumer!

potluck dessert table
Facebook = information potluck. Photo by Loren Kerns.

Commenting on the same post, Leah Nicole protested:

“The decision was an insult to digital news teams that invest a lot of time into designing and understanding the audiences they serve.

And it’s difficult to believe a social media site with an algorithm focused on ‘trending topics’ would be compared to news teams producing real journalism.”

Whereas Ted Han asked:

“What aspects of Facebook are responsible for its praiseworthiness (even if it’s a gestalt) in a news context […]? […] Facebook certainly is the platform among platforms for the conveyance of news (and everything else) to an audience… but why stop at Facebook? Should Google win an award for having a fast secure browser? Should Apple be lauded for killing Flash? Android/iOS for giving people access to news content anywhere/everywhere?”

IMO the answer to these queries is… no. Let’s refrain from blending categories until they’re senseless.

Meta blogging note: I’m discovering that one of the things I want to do with this blog is highlight ideas or ways of approaching ideas that are really good (for example, Martin Weigert re: Apple Watch). I’m even happy to post tidbits that don’t ascend to the level of “idea” but which are interesting nonetheless (Ben Thompson re: RSS users).

Native Advertising Hubbub

Edit: Contently studied this topic with disturbing results. I reserve the right to revise my opinion!

I wrote the following post in response to a brief Twitter conversation (screenshotted below) and an article by Jeff Jarvis: “WTF is promoted-native-sponsored-brand-voice-content? It’s an ad. That’s WTF it is.”

what is promoted content

Anthony De Rosa (chief editor of Circa News) has a point. In effect, sponsored posts are advertisements. But the experience of reading one is more complex than that.

No one is going to click on an article billed as an advertisement. They shouldn’t, because reading several hundred words of traditional advertising copy would be tiresome. However, paid-for editorial can feel different from a hard-sell ad. Using a new term for a distinct practice does not constitute deceiving readers. Jarvis’ survey demonstrates that the terms currently being used are inadequate, but that doesn’t mean “advertisement” is the only option. I agree that clear language is needed, but I don’t agree with the conflation of regular ads and “content marketing”.

To cite an example that I’ve used before, this is a traditional Marriott ad:

Marriott hotel ad

Whereas this is a post sponsored by Marriott:

post sponsored by Marriott

Underneath the vague disclosure—that part is not exemplary—is an actual story. Marriott paid for the essay and I associate it with them, but the text ignores Marriott. An unnamed hotel is mentioned once, but that’s as close as it gets. The purpose of this sponsored post is to link luxurious wandering with Marriott, which it accomplishes. Without being totally evil.

TL;DR? Be honest with readers, yes, but there’s no need to unnecessarily hamper native advertising. It’s frequently executed abysmally, but so is everything.

Blocking Ads Is Actually Good for Content Creators

A lot of “content creators” — the people who make the internet worthwhile — hate ad-blockers. I don’t. I am glad that ad-blockers exist, and I think they’re actually good for the future of “content” and editorial websites in general.

First let’s review the argument against ad-blockers. (Note that sketchy ad-blockers do exist, but assume I’m talking about normal ones like uBlock Origin.) Basically, ad-blockers stop display ads from loading. This means that websites can’t make any money from the visitors who use these browser extensions. (The idea that web ads only pay per click is a common misconception — most professional websites are paid per thousand views.)

When websites can’t make money, they can’t pay the people who write for them, and then those people are out of a job. Plus, the internet starts to degrade. This point of view has been chronicled extensively, most notably on Ars Technica, a popular geek site that experimented with blocking the ad-blocker users right back. Other good articles include the explanation on This Interests Me, Andrew Taylor’s “AdBlock Is A Bad Thing”, Network World’s “Why do AdblockPlus users hate my kids?” (lol), and finally a Hank Green video.

Examples of Display Type Beside a Column of Plain Letter-Press
Image via History, Philosophy, and Newspaper Library.

Here’s what I think: Making money from advertising is not an inherently terrible plan. Making money from display ads is. Banner ads and noisy autoplay videos are not the only option! Dreaded paywalls are not the only alternative. (Besides, subscriptions won’t be sufficient unless you have a premium legacy brand like The New York Times, or niche appeal like Andrew Sullivan’s political commentary.) Here is an example of what a respectful ad looks like:

Please consider shopping through our Amazon affiliate link to support this website. We rely on readers like you to keep creating the [content type] that you love!

This is basically how fashion bloggers do it, although some of them are less obvious about disclosing their affiliate links. The techies may not have noticed, but fashion and lifestyle bloggers are doing well for themselves! You should be copying them. There are plenty of affiliate programs, and a website with a decent amount of traffic can probably make more money from this type of advertising than from display ads. (Granted, some of the protests were written years ago, so this may not have been true at the time.)

The other excellent idea is sponsored posts. Ars Technica contributor Kurt Mackey commented on the article that I linked above, “There are really two possibilities […]. The first is what we’re striving for: finding the least offensive level of advertising […] while keeping our overhead as low as we can. The second is scary and more malicious, and if Ars ever went this way I would no longer work here: disguising ads as content.” I agree, but sponsored posts don’t have to be disguised. All you need is a disclaimer. Example:

The following post is sponsored by [commercial entity]. Please consider doing business with the brands that support [website]. Thank you!

Readers have been duly informed, and they can scroll past if they don’t want to read an advertorial. Actually, the best type of sponsored post has that disclaimer at the top, and then normal content below that is vaguely related to the field of the sponsoring entity. Here is an example from a Medium article by Jason Harper, “In Defense of the Good Old-Fashioned Map”:

sponsored post example

The disclaimer could be a little more explicit — “Sponsored by Marriott” would be better than “Presented by Marriott” — but in general this is well-executed. The visual experience is not annoying, I get to read something enjoyable, and I will associate my happy internet feelings with Marriott. Win-win-win for the creator, the advertiser, and the reader.

People who protest sponsored posts are generally concerned with objectivity. For instance, if you review a product that was sent to you for free, and the company is paying you to review it, can you offer an unbiased review of that product? Well, no, of course not. Presumably the people who worry about this are the same people who complain when news writers use personal pronouns.

What the critics don’t seem to realize is that objectivity is not a thing. It straight-up doesn’t exist. Literally every single person in the entire world is biased — deeply biased — in one way or another, because that is human nature. We’re irrational animals, not logical automatons. The important thing is to declare your biases, for example by disclaiming the sponsored nature of a blog post.

practice_adblock
Image by yuichirock.

So why do I think ad-blocking will be good for the future of the internet? Because it will push websites to rely less on irritating ads, and implement user-friendly business models instead (which may include sensible advertising). Sure, plenty of websites will be unethical and not use disclaimers, but that’s why we have to be discerning, skeptical consumers, both of media and any products we choose to purchase.

Too long; didn’t read? Here’s my basic point: it is worthwhile to develop a revenue stream that doesn’t annoy your readers so much that they block the revenue stream altogether.

Schedule Changeups & Five Recommended Essays

Sleepy vs. Bedtime Bear (265/365)
Photo by JD Hancock.

Geez, I’m tired. Working is hard! Every time my schedule gets more rigorous, I’m newly astounded that people manage to work full-time—or longer. There are industries where sixty-hour workweeks are common. Ugh, no thanks. (Not that anyone is begging me to join their tech startup, lol.)

Anyway, getting a gig with Bustle has put me in the weird position of having a weekend. Well, it’s weird for me. I haven’t had periodic two-day breaks since… high school. I am accustomed to working roughly three hours daily, instead of concentrating my efforts during a certain chunk of the week. Now my days off are Friday and Saturday. Accordingly, today I am lazing instead of furiously typing. Gotta take a break, right? I still feel absurdly guilty, like I always do when I don’t measure up to my own arbitrary standards of PRODUCTIVITY.

Even when creating is too energy-intensive, curating is pretty easy. Inspired by a combination of my love affair with Instapaper and Meshed Society’s recurring link lists, here are five essays to serve as food for reflection (pun intended):

* “The outsider” by caustic British novelist Rachel Cusk, on joining a book club and finding it beneath her. Notable quote: “we learn to surrender the sense of our own importance, but the writer does not. He continues to pit his private world against everything, to fend it off.”

* “Scorched Earth, 2200AD” by Linda Marsa, a dystopic take on what will happen during the next couple of centuries as climate change continues unchecked.

* “I Made $570K Last Year, But I Don’t Feel Rich”, interview by Logan Sachon with a wealthy man who doesn’t appreciate his luck because of lifestyle creep. Attitudes to guard against!

* “J-School Confidential” by Michael Lewis, about how Columbia’s much-touted journalism program is an overblown mess. Good schadenfreude read, especially if you’re in media but lack the credentials.

* “The incredible story of the Dirty Dozen Rowing Club” by Erik Malinowski: ten amateur athletes from the Bay Area decide to become Olympic rowers; they are more successful than you’d expect.

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