This website was archived on July 21, 2019. It is frozen in time on that date.

Sonya Mann's active website is Sonya, Supposedly.

Paying For Free Content: Cynical But Optimistic Reasons

Today I paid for something that I could have gotten for free. The process was kind of annoying but I still did it. Usually people put up with extra hassle to avoid paying, like when they install a program in order to pirate media. On the other hand, I voluntarily underwent hassle to pay $10 for something I didn’t need to pay for. What was it, and why?

It was a blog, which positions itself as an online book, called Practical Typography. I read an article that Matthew Butterick wrote about Medium, a platform that I find insidious. Then I clicked around the site a little. I saved an article about the font Times New Roman to read later. Crucially, I found the page “How to pay for this book” and read it. Butterick explains that he doesn’t like paywalls but wants to be compensated for his work. Basically, he asked me to donate. I didn’t—and don’t—plan to read all of Practical Typography. But I donated $10 because I respect what he’s doing and I want it to continue.

TYPOGRAPHY
Art by Scott Ogle.

I can’t put my finger on exactly what motivated me to chip in. This isn’t a website that I read often and am devoted to. It’s just something I came across while browsing, after following a link from Twitter. I wouldn’t pay $10 for a physical version of the same thing. And yet I voluntarily, at slight inconvenience to myself, gave the guy money. (The inconvenience was entering my debit card information, which I still haven’t memorized.) Maybe I did this because the author holds a view that I agree with:

“The im­mutable law re­mains: you can’t get some­thing for noth­ing. The web has been able to de­fer the con­se­quences of this prin­ci­ple by shift­ing the costs of the writ­ten word off read­ers and onto ad­ver­tis­ers. But if read­ers per­ma­nently with­draw as eco­nomic par­tic­i­pants in the writ­ing in­dus­try [by refusing] to vote with their wal­lets—then they’ll have no rea­son to protest as the uni­verse of good writ­ing shrinks.”

Quote from “The economics of a web-based book”. As a writer, I have a vested interest in convincing readers to pay for good writing. So of course I agree with Butterick. I think that’s probably why I donated. The other factor is identity.

People are fundamentally self-interested. We don’t do things that benefit other people for the sake of benefiting other people, but because of how the actions make us feel. Our culture prizes magnanimity, finds it to be publicly laudable, so there’s an advantage to being generous. Even if you don’t brag about it and nobody else knows, you know that you possess a personal quality regarded as admirable. That makes you feel good.

Free Form embroidery on recycled silk
Embroidery by Jacque Davis.

Everything I do that seems largehearted is actually selfish. For instance, giving out my zines for for free—I just want my writing to be read widely. Paying the other people who contributed to Balm Digest—I want to live in a world where the work of artists and writers is materially valued, so I take steps to create that world. All of it makes me feel good about myself.

Patreon succeeds not only because people realize, “If I don’t pay for this thing to continue it will stop existing, and then I won’t be able to enjoy it,” but also because being generous boosts their identity. Our culture commends that behavior. Which makes evolutionary sense: generosity nurtures strong communities, which enable our species to better survive and propagate.

(See also: Simon Owens on why publishers should pay writers even when they don’t have to.)

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