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Sonya Mann's active website is Sonya, Supposedly.

Arresting Quotes From The Blazing World

Last month my book club read The Blazing World by Siri Hustvedt, which is about a frustrated woman artist. The novel is remarkable, but this is not a review. I want to discuss a couple of quotes that grabbed me.

On being best friends:

“We were a team of two against a hostile world of adolescent hierarchies.”

That resonates. Being a teenager sucks in myriad ways, one of which is the constant feeling of social alienation. I don’t know if that feeling is universal, but certainly a lot of people experience it. During middle school and high school my friendships were self-protection against the brutal clique-ism, against the shame of eating lunch alone. Manufactured terrors of teenhood. You’re nobody if you’re not surrounded. I didn’t submit to it entirely: I spent hours in the library watching My Little Pony on YouTube or surfing Know Your Meme, which is super embarrassing in retrospect. But I still think “How’d it get burned?!” is the funniest thing.

The friendships that I’ve kept, that I still maintain, are based on genuine connection. My best friend recently messaged me on Facebook, just to check in, and I felt a surge of affection. A warm glow arises whenever she gets in touch. Forgive the cliche, but we’re kindred spirits.

On the irrepressible subconscious:

“Mysterious feelings: ingrown, automatic, thoughtless. Before words. Under words.”

I love the idea of “before words”. It makes me think of HP Lovecraft. In his fiction, monsters destroy the people who glimpse them, even if the characters aren’t attacked directly. Every horrible creature he writes about is supposedly beyond description, beyond the power of reason and language.

It makes me think of Sylvia Plath and her Freudian obsessions.

“Before words” makes me think of the sensation when I wake up from a dream with a vague concept, more like an impulse, unable to remember exactly what was happening. But I wish I could act on it.

Gonna Go Down In Flames

screenshot from "Style" music video, Taylor Swift

Manipulated screenshot from the music video for Taylor Swift’s “Style”. In case you can’t tell, it’s trees and sunset. (Sunrise? Hard to know which.) I made this ages ago and I forget why I wanted to post it. Here’s what the scene actually looks like in the video:

Taylor Swift music video screenshot

“Style” is my favorite song from 1989. In general I think the album is pretty mediocre. Still, I can sing along. “Blank Space” is appealing, but it’s no “Mama’s Broken Heart”. I love me some crazy girl chic but I also like dynamic… dynamicness. Dynamitude? And more than one clever lyric. My favorite is a mashup of “Style” and “Blank Space” by Louisa Wendorff. Her version combines the good parts of both songs, and the arrangement is lovely.

Now I’m listening to “Mama’s Broken Heart” and it’s just sooo much better than “Blank Space”. Miranda Lambert singing, “Run and hide your crazy, and start acting like a lady”—that breaks my heart in the right way. See also: “Better Dig Two”. Crazy vengeful country ladies make me feel better about the world.

Zine Review: Witches, Midwives, & Nurses

I bought Witches, Midwives, and Nurses: A History of Women Healers from Pioneers Press for $4. They are currently out of stock, but you can buy a copy directly from Last Word Press, and it appears that you can read the entire text on Anarcha Library.

At first I didn’t connect the Barbara Ehrenreich who co-authored this pamphlet with the Barbara Ehrenreich, author of Nickel and Dimed. She explains on the biography page of her website:

“With the birth of my first child in 1970, I underwent a political, as well as a personal, transformation. Bit by bit, I got involved with what we then called the ‘women’s health movement,’ advocating for better health care for women and greater access to health information than we had at that time. This new concern led to the ‘underground bestseller,’ a little pamphlet called Witches, Midwives, and Nurses: A History of Women Healers, co-authored by my friend Deirdre English.”

Whaddaya know, huh? I assume that Last Word Press reprinted the zine without permission from the original authors, especially since there’s an Amazon listing as well. But I haven’t verified that so don’t quote me on it. Regardless I feel okay-ish because there’s no way that Last Word is making a profit. However, I wouldn’t have bought the pamphlet if I realized that it was a bootleg.

Anyway, parts of my review are directed toward this particular printing:

  1. Need. Bigger. Font. NEED BIGGER FONT. Generally I won’t even read something smaller than 12-point Times New Roman (sorry, Dangerous Damsels), but I made an exception because I was really interested in the content of Witches, Midwives, and Nurses. Plus I already bought it. But the small text still annoyed me.
  2. The pictures would have been much more informative if they had been printed larger and captioned consistently. I don’t know if the images were added by Last Word Press or if they were part of the original zine, but either way my comment stands. An illustration is pointless if I can hardly see it.

As for the main content, Witches, Midwives, and Nurses was well-researched and fascinating, with a delightfully anarchist slant. The zine examines the intersection of patriarchy and medicine, focusing on “two important phases in the male takeover of health care: suppression of witches in medieval Europe and the rise of the male medical profession in the United States” (according to the blurb). Recommended, as long as you have a magnifying glass to aid in your reading. My only complaint about the writing is that I wanted more of it; specific examples from individual lives would have enhanced the academic narrative.

Another zine related to witches and reproductive health: Little Cloud #1, “Borders, Boundaries, and Barriers”, available for $2 at Portland Button Works. Different vibe but same general topic.

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